Paiste Planetary Gong — Sun
126.22 Hz
Nearest note: B2, 38 cents above standard tuning
A planet gong pitch. Paiste tunes its Sun gong to 126.22 Hz.
How well is this supported?
Calculated from a measured value by a stated method. You can check the arithmetic. What the result means is a matter of interpretation.
This entry gives a typical pitch for an instrument. Real instruments vary.
The button plays a plain tone. Start with the volume low. Phone and laptop speakers play low notes quietly; headphones or a speaker help.
Where this number comes from
Paiste tunes its Sun gong to 126.22 Hz. The tuning comes from Hans Cousto's tables. It does not come from a measured orbit or from the Sun's rotation. Cousto calculates it as a limit value of 32,312.52 Hz, then halves that 8 times. Paiste names the gong by its lowest tone, B1 at 63.11 Hz. That is the same note one octave lower, which means half the frequency.
- Step 1. Start with Cousto’s figure
Cousto presents the Sun tone as a limit value derived from an imagined orbit at the Sun’s gravitational length, not as the Sun’s equatorial rotation period. Original tone at octave 0: 32,312.52 Hz.
- Step 2. Halve it 8 times
Halving a frequency lowers it by one octave. After 8 halvings it is 126.22 Hz.
- Step 3. Name the note
126.22 Hz is a B, 38 cents above standard tuning. A cent is one hundredth of the step between two neighboring piano keys. To play in tune with this tone, an instrument sets its A to 449.80 Hz instead of 440.
- Step 4. Keep doubling and the number lands in the range of light
42 more doublings give the frequency of light with a wavelength of 540 nm, which is yellow-green. This is arithmetic. It pairs a tone with a color; it does not show that the two are connected.
The method is Hans Cousto’s. Planet gongs explained walks through it and says what it does and does not show.
What is said about it
What is said, not what was measured
In planetary gong practice this gong is associated with vitality and solar plexus work, and its tone is described as powerful and radiant.
Facts
- Frequency
- 126.22 Hz
- Wavelength in air (20 °C)
- 2.72 m
- Nearest note
- B2, 38 cents above standard tuning
- Kind of statement
- Instrument
- Filed under
- Instruments & gongs
Tuning Data
The row for this tone in Hans Cousto’s tables, with the tempo and pendulum length that follow from it.
- Cycle
- Cousto solar tone limit value
- Starting tone
- Original tone at octave 0: 32,312.52 Hz
- Octaves down
- 8
- Concert pitch (A)
- 449.80 Hz
- Difference from A = 440 Hz
- +38.13 cents
- Tempo
- 118.33 beats per minute
- Pendulum length
- 6.4 cm / 2.52 in
- Color by octave
- Yellow-Green (540 nm)
Tempo and pendulum length, octave by octave
| Octave | Frequency | One cycle | Tempo | Pendulum |
|---|---|---|---|---|
| -14tempo | 1.97 Hz | 507.05 ms | 118.33 BPM | 6.4 cm |
| -13 | 3.94 Hz | 253.53 ms | 236.66 BPM | 1.6 cm |
| -12 | 7.89 Hz | 126.76 ms | Too fast to count | Too short to build |
| -11 | 15.78 Hz | 63.38 ms | Too fast to count | Too short to build |
| -10 | 31.56 Hz | 31.69 ms | Too fast to count | Too short to build |
| -9 | 63.11 Hz | 15.85 ms | Too fast to count | Too short to build |
| -8tone | 126.22 Hz | 7.92 ms | Too fast to count | Too short to build |
Intervals built on this tone
| Ratio | Interval | Frequency | Note | Concert A | Cents from 440 |
|---|---|---|---|---|---|
| 1/1 | Perfect unison | 126.22 Hz | B2 | 449.80 Hz | +38.12 |
| 81/80 | Syntonic comma | 127.80 Hz | C3 | 429.86 Hz | -40.37 |
| 531441/524288 | Pythagorean comma | 127.94 Hz | C3 | 430.34 Hz | -38.42 |
| 128/125 | Diesis | 129.25 Hz | C3 | 434.74 Hz | -20.82 |
| 648/625 | Greater diesis | 130.86 Hz | C3 | 440.18 Hz | +0.69 |
| 25/24 | Chroma | 131.48 Hz | C3 | 442.24 Hz | +8.80 |
| 16/15 | Diatonic semitone | 134.63 Hz | C3 | 452.86 Hz | +49.86 |
| 10/9 | Minor whole tone | 140.24 Hz | C#3 | 445.25 Hz | +20.53 |
| 9/8 | Major whole tone | 142.00 Hz | C#3 | 450.81 Hz | +42.03 |
| 8/7 | Septimal whole tone | 144.25 Hz | D3 | 432.27 Hz | -30.70 |
| 6/5 | Minor third | 151.46 Hz | D#3 | 428.40 Hz | -46.23 |
| 5/4 | Major third | 157.78 Hz | D#3 | 446.26 Hz | +24.44 |
| 4/3 | Perfect fourth | 168.29 Hz | E3 | 449.29 Hz | +36.17 |
| 3/2 | Perfect fifth | 189.33 Hz | F#3 | 450.31 Hz | +40.08 |
| 8/5 | Minor sixth | 201.95 Hz | G#3 | 427.92 Hz | -48.19 |
| 5/3 | Major sixth | 210.37 Hz | G#3 | 445.75 Hz | +22.48 |
| 7/4 | Natural seventh | 220.89 Hz | A3 | 441.77 Hz | +6.95 |
| 16/9 | Pythagorean minor seventh | 224.39 Hz | A3 | 448.78 Hz | +34.21 |
| 9/5 | Just minor seventh | 227.20 Hz | A#3 | 428.89 Hz | -44.28 |
| 15/8 | Major seventh | 236.66 Hz | A#3 | 446.76 Hz | +26.39 |
| 2/1 | Octave | 252.44 Hz | B3 | 449.80 Hz | +38.12 |
Source notes
Cousto presents the Sun tone as a limit value derived from an imagined orbit at the Sun’s gravitational length, not as the Sun’s equatorial rotation period.
Source: Hans Cousto — Tuning Data / Sun Earth Moon Planets. View the source PDF, page 41.
License: CC BY-NC-ND 4.0, as stated in Stimmdaten.pdf (German edition), page 2.
Values are reproduced from Cousto’s tables. Tempo, pendulum length and interval tables are calculated by this site from those values.
See every tone in the tables: Open the tuning data reference.
Sources
- Paiste — Planet Gongs
The maker’s own figures for each gong’s fundamental note.
Paiste AG, Planet Gongs: product specifications.
View source: Paiste — Planet Gongs
More about the pitch
The same note in every octave
Each step doubles or halves the frequency. Tap one to hear it.
Entries close in pitch
Within 35 cents of this tone, in any octave. A cent is one hundredth of the step between two neighboring piano keys. Being close in pitch does not mean two things are connected.
- Sun Tone (Cousto’s construction)Derived126.22 Hz0¢
- Tibetan Singing Bowl (Medium)Traditional256.00 Hz+24¢
- Tibetan Singing Bowl (Small/High)Traditional512.00 Hz+24¢
- Crystal Singing Bowl — CTraditional256.00 Hz+24¢
- Tuning Fork — C256 (Scientific Pitch)Measured256.00 Hz+24¢
- Tuning Fork — C128Measured128.00 Hz+24¢