Sources
Every work cited by an entry, grouped by kind. Each guide lists its own sources at its end. A source is listed so that you can check it. Being listed here does not mean that what it says has been confirmed.
The kinds do not carry the same weight. A standard or a measurement is one thing; a book that makes a claim is another. The planet tones come from one source, which has its own page: Planet gong tunings.
Standards
Published by a standards body. These set a value by definition.
Twelve-tone equal temperament, A4 = 440 Hz
Cited by 108 entriesEach note is the one below it multiplied by the twelfth root of two. A4 is fixed at 440 Hz by ISO 16.
ISO 16:1975, Acoustics — Standard tuning frequency (Standard musical pitch).
Definitions of visible light and ultraviolet
Cited by 6 entriesWhere visible light and ultraviolet begin and end. The authorities do not agree exactly on the limits.
CIE International Lighting Vocabulary, terms 17-21-003 (visible radiation) and 17-21-008 (ultraviolet radiation). ISO 21348. BIPM, definition of the candela at 540 THz (555 nm).
View source: Definitions of visible light and ultravioletRadio band definitions
Cited by 4 entriesWhere the named radio bands begin and end. Broadcast bands differ by region.
ITU-R Recommendation V.431, Nomenclature of the frequency and wavelength bands used in telecommunications. FCC, 47 CFR 73.14 (AM) and 73.201 (FM). FCC, 47 CFR 15.247 (2400–2483.5 MHz).
British Society of Audiology — tuning fork tests
Cited by 2 entriesWhich tuning forks are used for which clinical test.
British Society of Audiology, Recommended Procedure: Rinne and Weber tuning fork tests (2022).
ISO 16:1975
Cited by 1 entryThe international standard that sets A4 at 440 Hz.
ISO 16:1975, Acoustics — Standard tuning frequency (Standard musical pitch). Supersedes ISO/R 16:1955.
Books
Books this site draws on. A book is cited for what it says, which may or may not have been tested.
Hans Cousto — Die Oktave
Cited by 1 entryCousto’s shorter text, where the 351 nm figure is attributed to a personal communication from F.-A. Popp.
Hans Cousto, Die Oktave, p. 38 and endnote 20. Planetware.
View source: Hans Cousto — Die OktaveHans Cousto — The Cosmic Octave
Cited by 1 entryThe book that sets out the method of octave doubling. Cited as the source of Cousto’s claims, not as evidence for them.
Hans Cousto, Die kosmische Oktave (Synthesis Verlag, Essen, 1984). English edition: The Cosmic Octave (LifeRhythm, Mendocino, 1988).
History of the monochord
Cited by 1 entryThe instrument’s first appearance in writing, and the legend that Pythagoras invented it.
David Creese, The Monochord in Ancient Greek Harmonic Science (Cambridge University Press, 2010).
View source: History of the monochordJean Gebser — The Ever-Present Origin
The source of the five “structures of consciousness” described on the Consciousness page.
Jean Gebser, Ursprung und Gegenwart (1949/1953). English: The Ever-Present Origin, translated by N. Barstad and A. Mickunas (Ohio University Press, 1985).
Scientific literature
Papers in scientific journals. The entry that cites a paper says what the paper found, including how small the study was.
IFCN glossary of EEG terms
Cited by 14 entriesThe standard definitions of the delta, theta, alpha, beta and gamma bands.
N. Kane et al., Clinical Neurophysiology Practice 2 (2017) 170–185.
View source: IFCN glossary of EEG termsSchumann resonance
Cited by 5 entriesThe prediction, the first measurement, and a later summary of the mode frequencies.
W. O. Schumann, Zeitschrift für Naturforschung A 7 (1952) 149–154. M. Balser and C. A. Wagner, Nature 188 (1960) 638–641. F. Simões, R. Pfaff and H. Freudenreich, NASA Goddard Space Flight Center (NTRS 20120000051).
View source: Schumann resonanceBody rhythms
Cited by 3 entriesHeart rate, breathing rate, the daily clock and the sleep cycle.
C. A. Czeisler et al., Science 284 (1999) 2177–2181. N. Kleitman, Sleep 5 (1982) 311–317. J. Moses et al., Nature 265 (1977) 360–361. A. Zaccaro et al., Frontiers in Human Neuroscience 12 (2018) 353.
Gamma activity in long-term meditators
Cited by 2 entriesCited for the ranges in which higher gamma activity was reported: 25 to 42 Hz, in 8 practitioners and 10 others (2004), and 60 to 110 Hz (2017).
A. Lutz et al., Proceedings of the National Academy of Sciences 101 (2004) 16369. C. Braboszcz et al. (2017).
40 Hz stimulation and binaural beats
Cited by 1 entryCited for what the experiments used and what they found.
H. F. Iaccarino et al., Nature 540 (2016) 230–235. A. J. Martorell et al., Cell 177 (2019) 256–271. M. Hajós et al., Frontiers in Neurology 15 (2024) 1343588. R. M. Ingendoh et al., PLoS ONE 18 (2023) e0286023.
View source: 40 Hz stimulation and binaural beatsA trial of sound sessions that included recorded 528 Hz audio
Cited by 1 entryA randomized trial in 100 people. The sessions combined recorded 528 Hz audio with bowls and gongs, so the parts cannot be told apart.
H. Ravikumar and S. Sathyanarayanan, Cureus 18 (2026) e115693.
View source: A trial of sound sessions that included recorded 528 Hz audioConcert pitch, Verdi, and studies of 432 Hz
Cited by 1 entryThe history of the 432 Hz proposal, and the two small studies that compared 432 with 440 Hz.
E. Lockhart, Nineteenth-Century Music Review 22 (2025) 344–360. D. Calamassi and G. P. Pomponi, Explore 15 (2019) 283–290. D. Calamassi et al. (2022), PMID 35545982.
View source: Concert pitch, Verdi, and studies of 432 HzHal Saflieni Hypogeum, 2015 measurement
Cited by 1 entryCited for the resonances it reported at the Hypogeum: 114 Hz, and 68 to 70 Hz.
P. Debertolis et al. (2015).
Resonance of ancient chambers
Cited by 1 entryCited for what was measured and what was tested.
R. G. Jahn, P. Devereux and M. Ibison, Journal of the Acoustical Society of America 99 (1996) 649–658. I. A. Cook, S. K. Pajot and A. F. Leuchter, Time and Mind 1 (2008) 95–104. R. Till, Antiquity 91 (2017) 74–89.
View source: Resonance of ancient chambersRock art and the age of the didgeridoo
Cited by 1 entryDating of the instrument from depictions in rock art.
D. Wesley, T. Jones and R. Whitau, chapter 2 of The Archaeology of Rock Art in Western Arnhem Land, Australia (ANU Press).
View source: Rock art and the age of the didgeridooStudies that involve 528 Hz
Cited by 1 entryOne study in nine people, of music tuned so that 528 Hz falls in its scale (A = 444 Hz). One study in rats, one in cell cultures. None tested a 528 Hz tone in people.
K. Akimoto et al., Health 10 (2018) 1159–1170. T. Babayi Daylari et al., Genes & Genomics 41 (2019) 201. T. Babayi and G. H. Riazi (2017).
View source: Studies that involve 528 HzTests of the craniosacral rhythm
Cited by 1 entryCited for what testing found, not as support for the claim.
R. W. Moran and P. Gibbons, Journal of Manipulative and Physiological Therapeutics 24 (2001) 183. A. Guillaud et al., PLoS ONE 11 (2016) e0167823.
View source: Tests of the craniosacral rhythmWhich wavelengths suppress melatonin
Cited by 1 entryCited for the range in which suppression was strongest: 446 to 477 nm.
G. C. Brainard et al., Journal of Neuroscience 21 (2001) 6405.
Where a claim comes from
Where a claim was first made, or who makes it. Listed so that you can trace the claim, not because it has been tested.
Horowitz & Puleo — the Solfeggio tones
Cited by 6 entriesThe book that introduced the six original Solfeggio tones. Cited as the origin of the claim, not as evidence for it.
Leonard G. Horowitz and Joseph Puleo, Healing Codes for the Biological Apocalypse (Tetrahedron, 1999).
History of “Tibetan” singing bowls
Cited by 3 entriesAn account of where the bowls come from and when they were first described as singing bowls.
Grimes, Tricycle: The Buddhist Review.
View source: History of “Tibetan” singing bowlsLater additions to the Solfeggio set
Cited by 3 entriesNo originating publication was found for 174, 285 and 963 Hz.
Makers’ descriptions
Cited by 1 entryWhat manufacturers say about their own instruments. No independent source was found.
Reference data
Tables, data sets, trial registers and reference pages.
Hans Cousto — Tuning Data: Earth, Moon, Planets, Sun
Cited by 20 entriesThe tables that the tuning pages on this site reproduce.
Hans Cousto, Tuning Data — Earth Moon Planets Sun. Planetware.
View source: Hans Cousto — Tuning Data: Earth, Moon, Planets, SunPaiste — Planet Gongs
Cited by 14 entriesThe maker’s own figures for each gong’s fundamental note.
Paiste AG, Planet Gongs: product specifications.
View source: Paiste — Planet GongsA registered trial of music built on 174, 285, 396 and 528 Hz
Cited by 2 entriesA randomized trial in 120 children. The record says it is completed. No results were posted when this site checked, on September 27, 2026.
ClinicalTrials.gov, NCT07013669.
View source: A registered trial of music built on 174, 285, 396 and 528 HzHow microwave ovens heat food
Cited by 1 entryAn explanation of dielectric heating, and of why the oven is not tuned to a resonance of water.
C. Baird, West Texas A&M University, “Science Questions with Surprising Answers”.
NASA and NOAA reference pages
Cited by 1 entryOrbital periods, lunar cycles and the solar cycle.
NASA Planetary Fact Sheets. NASA Eclipse Web Site (lunar cycles, Saros). NOAA Space Weather Prediction Center (solar cycle).
View source: NASA and NOAA reference pagesResting heart rate
Cited by 1 entryThe reference range for a resting adult. A published range, not a journal paper.
American Heart Association.
No source recorded
Entries for which this site has no work a reader could look up.
No specific source recorded
Cited by 1 entryThis entry names no work that a reader could look up.